达德利·安德鲁：美国当代著名电影学者，曾任美国爱荷华大学电影学教授，现为美国耶鲁大学电影与比较文学教授。他的理论专著《电影理论概念》、《主要电影理论》，已经成为当代电影理论经典。他曾在1998年提出“宏大电影理论”概念，促进了倡导“美国电影理论革命”的大卫•波德威尔和诺尔•卡罗尔等创立电影“认知科学”理论。他反对法国学派的宏大理论，特别是在美国曾经产生重大影响的电影精神分析学理论和意识形态分析，以及麦茨的符号学、索绪尔的语言学。时至今日，安德鲁仍坚持以影片本身为基础和目标的经验性研究方向。

Andre Bazin's impact on film art is widely considered to be greater than that of many directors, actors, and producers. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit. Updating the paperback edition of 1977, Dudley Andrew has written a completely new introduction and provided an additional essay by Jean-Charles Tacc...(展开全部)

André Kertész (1894-1985) was one of the most inventive, influential, and prolific photographers in the medium's history. His combination of Modernist vision and poetic wit defined a vocabulary that generations of photographers have continued to use. Kertész's iconic images of 1920s Paris, such as "Chez Mondrian" and "Satiric Dancer" and his later images from New York "Melanch...(展开全部)

André Kertész (1894-1985) was one of the most inventive, influential, and prolific photographers in the medium's history. His combination of Modernist vision and poetic wit defined a vocabulary that generations of photographers have continued to use. Kertész's iconic images of 1920s Paris, such as "Chez Mondrian" and "Satiric Dancer" and his later images from New York "Melanch...(展开全部)

One of the most important writers of the twentieth century, Andre Gide also led what was probably one of the most interesting lives our century has seen. Gide knew and corresponded with many of the major literary figures of his day, from Mallarme to Oscar Wilde. Though a Communist, his critical account of Soviet Russia in "Return from the USSR" earned him the enmity of the Left...(展开全部)

By the end of his life Gide would have been on most lists of the ten most important novelists of the twentieth century. His Paludes (1895) was one of the beginnings of the modern novel; his masterpiece, Les Faux-Monnayeurs (1925), is one of its most ambitious achievements. But his name was also familiar the world over to millions who had never read his books: he had long since ...(展开全部)

著者简介 奥拉西奥·基罗加（Horacio Quiroga）（1878—1937），乌拉圭作家，著有《朦胧的情史》《被放逐的人们》《爱情、疯狂和死亡的故事》等。他的作品影响了加西亚·马尔克斯、胡里奥·科塔萨尔、罗贝托·波拉尼奥等拉丁美洲文学大师，被誉为“拉丁美洲短篇小说之王”。 译者简介 林光（1929—2016），我国著名学者、翻译家，商务印书馆编审，国务院津贴获得者。1929年出生于福建省连江县，台湾新竹中学毕业。1949年6月离开台湾，经香港到北京，入华北人民革命大学学习。先后任中央人民政府出版总署办公厅秘书处办事员、时代出版社编辑、商务印书馆编审等职。主编《拉丁美洲散文选》；编写我国第一部西汉词典《简明西汉词典》（1965年出版）；并参加《新西汉词典》《袖珍西汉词典》编写；担任《简明葡汉词典》《简明葡萄牙语语法》《牛津—杜登西语汉语图文对照词...(展开全部)

Desarrollada en un pais latinamericano sin nombre que vive bajo el dominio de una dictadura militar, la segunda, hipnotizante, novela de Allende cuenta la historia de una mujer y un hombre que estan destinados, bajo las circunstancias mas espeluzantes, a compartir un amor excepcional. Irene Beltran es fruto de la clase alta, una bien intencionada, aunque algo ingenua, reportera...(展开全部)

伊福·范瓦尔彭（Ivo van Vulpen） 荷兰国家亚原子物理研究所的粒子物理学家，阿姆斯特丹大学物理讲师。在欧洲核子研究中心（CERN），他作为少数能进入大型强子对撞机设施的物理学家加入了ATLAS实验，参与了“上帝粒子”——希格斯玻色子的发现和研究。